Monday, November 30, 2009

Maurice Clemmons manhunt: Facebook thread

Monday, November 23, 2009

Microsoft, Bing and Murdoch

Microsoft tries to buy the news.

All I see is a sick, dying, out-of-touch dinosaur declaring he's going to open up a can of whoop ass. I'll wait an hour, the dinosaur will have cockroaches eating its brain. The network was the computer decades ago, and Gates and Co somehow convinced the mentally weak all the power was at the desktop. Please die now.

While on the subject of Murdoch, I might as well promote my book, which specifically mentions the Rupert Murdoch archetype as a class to be eliminated in a future fictional scenario: TechnologyTexting KIDS: Subvert Primitive Ways, Invent Writing and Metal, and Delete Financiers like T Boone Pickens .

Tuesday, November 3, 2009

Tea Party Patriots, Glenn Beck, and Sarah Palin Explained

Chapter 1: Rock and Roll Music Culture

There is an era we can call rock 'n roll, countercultural, hippy, or even liberal. It spanned from the middle-late 1950's to the middle-late 1990's. It had a form and function that integrated American black music (all of the subgroups: gospel, blues, and jazz) into a world music, illicit drug use, sexual relations beyond one partner, and a reverence for anything simultaneously visceral and non-violent ( e.g. sex, danceable music).

The main conduit/media for this era was music. For sure there was literature and academics, qualitatively equal to the giants of any other era, but music types and personalities were the means of spreading all other memes in the era. If an academic had a radical, countercultural thesis, there had better be at least one song that resonated with the academic's message. If no one in the rock/punk/alternative echoed the thesis, then the thesis wasn't even remotely relevant.

Then something happened in the mid 1990's. Disney Corporation started training up and churning out talent (e.g. Britney Spears, Justin Timberlake) and the popular music press didn't make a fuss over the distinction between this as opposed to the previous 40 year history of self-taught, populist route to music stardom (e.g. Elvis, James Brown, John Lennon, George Clinton, Sting, U2, Kurt Cobain).

The delivery system for the countercultural system of ideas -music; up and died. Or at least shapeshifted silently from its essential self to an antithetical self, rendering it a killer of memes it once was the nurturer of.

Chapter 2: Internet Culture(s)

In the mid 1990's the Internet sprang into popular culture. At first it was college students, government employees, and early adopter tech hipsters on the bandwagon. By the year 2000 grandma was on it, and later with blogspot and Facebook she had her own content on the web also.

With easy self-publishing of Web 2.0 a wall of water rushed over the Earth -a torrent of micro-universes within which held endless threads of dialogue. To say there were mutations of classical ideologies, and they flourished and thrived, is an understatement. The aggregate size of these mutations quickly eclipsed the size of our own Sun.

Chapter 3: The Rise of a Counterculture, via Internet

While the Rock and Roll Music Counterculture died years ago, a new counterculture has emerged, sent to kill it. This new counterculture rallies around Guns, God, and Hating Gays. They are better at serving the violent edicts of the Old Testament rather than living like the non-violent Jesus of the New Testament. The gun toting bandit life of pre-1880's rural America, Bible in one hand, gun or whiskey in the other; that is the capstone of American greatness. A white man, drunk on whiskey, having referenced the Bible earlier in the day, shoots someone else, preferably an American Indian or black. And, basically, this new counterculture is saying that white man is a heroic icon, they want to or will do that lifestyle again.

But what are they really after? Well, its not actually running the country, they lack the attention to unemotional detail to attain or hold onto that. They want to gun down something. Ask them who they'd like to shoot/lynch, and I bet you get hundreds of answers. But the answers will all add up to one mythic entity: The Rock and Roll Music Culture circa 1955-1995.

The dead Bandits of the rural Wild West want to kill the dead Rock Stars of London, NYC, and LA .

Where did I develop a sense of this new counterculture? By happening upon it, appropriately, on the internet. Reading textual content, and then finding these photos. The craziness of the costumes indicates departure from our mainstream business or academic world. It is the new counterculture. I will cease with my wordy description and invite the reader to the photos on these sites.